Staged in March 2013, it used facial motion capture to live-animate a 3D computer-generated donkey head for Bottom, among other way-cool tech-driven fairy magic.
I wrote the blog Action Refraction during the process from 2012-2013, using it as a place to collect and share tech and creative inspirations and other musings with the company.
That utterly fabulous and nerve-wracking experience taught me a huge amount about using bleeding-edge technology in live theatre, but clearly not enough not to do it again...
Click here for more production photos.
