I'm hugely looking forward to chairing a roundtable next weekend with good friends Asiphe Ntshongontshi (Desmond Tutu HIV Foundation Youth Centre), Joahnna Berti (Debajehmujig Storytellers), and Maurianne Reade (Northern Ontario School of Medicine University).
|Zoom's-eye view of the roundtable|
|Asiphe Ntshongontshi joining remotely from Florida|
|Maurianne Reade, Joahnna Berti and Alison Humphrey|
One month later, I get to participate in another exciting panel, this time on AI and Theatre, chaired by Wes Williams, director of The Oxford Research Centre in the Humanities (TORCH).
This conversation on "the current and future uses of AI and immersive technology in theatre and performance" features the Royal Shakespeare Company's Director of Digital Development Sarah Ellis, multidisciplinary artist and filmmaker Ruthie Doyle, and immersive producer & curator Dan Tucker.
The June 26th event is part of Oxford University's Artful Intelligence Season, "a forum to discuss and shape key questions at the intersection of AI and Creativity," hosted by the Humanities Cultural Programme and The Institute for Ethics in AI.
While I'm there, I'm also excited to talk further with Prof. Williams and his team about their upcoming project Fantasy Futures: Imagining Immersive Innovation, which will use motion capture and augmented reality to "harness the energies and enthusiasm that are generated by worlds peopled by monsters – from Ancient cultures through Tolkien’s monstrous imaginings to the Marvel universe."
"The project emerged out of a desire to reimagine for the twenty-first century the Humanities Division’s centuries-long expertise in unearthing fascinating research narratives from the worlds of Ancient and Fantasy Literature.
"By synthesizing this research excellence with the UK’s world-leading gaming sector, the project is uniquely positioned to capitalize on the opportunities afforded by the latest cutting-edge advances in immersive storytelling."